Bruce Springsteen and his wife Patti Scialfa are celebrating their 34th wedding anniversary.

Springsteen, 75, and Scialfa, 71, got married on June 8, 1991, at their Los Angeles home. In honor of their 34th wedding anniversary on Sunday, Scialfa posted a PDA-filled throwback photo from their first anniversary alongside a message reflecting on their marriage.

“Our one year anniversary…. Bruce surprised me with a beautiful party…..” Scialfa wrote in her Instagram post’s caption. “Today marks 34 years … even though we already had Evan and Jess was on the way…. spent the evening with Bruce Sam and our granddaughter Lily…”

In the photo, the musical couple share a romantic kiss. Scialfa’s hand rests on Springsteen’s neck as the “Dancing In the Dark” singer’s arms wrap around his wife’s waist.

“,” commented Springsteen’s younger sister, Pamela.

The Boss and Scialfa met in the 1980s at The Stone Pony in Asbury Park, New Jersey, where both regularly performed. The pair developed a friendship, which ultimately led to Scialfa joining the music legend and the E Street Band on their 1984 Born in the U.S.A Tour as a backup vocalist. Scialfa has reduced the amount she performs with the group since being diagnosed with multiple myeloma, a blood cancer.

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While the two musicians had chemistry on stage, their relationship did not turn romantic until 1988 after Springsteen split from his first wife, Julianne Phillips. The former couple wed in 1985. Phillips filed for divorce in 1988 and their divorce was finalized the following year. 

Springsteen and Scialfa quickly fell in love and got married in 1991. They later welcomed three children together: 34-year-old son Evan, 33-year-old daughter Jessica and 31-year-old son Sam.

The longtime couple became grandparents for the first time in 2022, when Sam welcomed his first child, daughter Lily.

A few years ago, Springsteen gushed over his wife to Gayle King during an October 2019 appearance on CBS Mornings.

“We’ve been together for 30 years. That’s a long [time]– you’ve shared a lot,” he said. “You know, Patti’s been at the center of my life for the entire second half of my life … and an enormous amount of guidance and inspiration and you know, I can’t overstate it. You know, it’s I’ve been lucky.”

No, legendary icon Nicole Paige Brooks from Atlanta, Ga., didn’t know who Chappell Roan was when the pop star entered the RuPaul’s Drag Race All Stars 10 Werk Room — but that’s far from the biggest bombshell that bracket 2’s eliminated queens are serving up H-O-T-T-O-G-O in their fiery exit interview with Entertainment Weekly.

After falling behind in the points-based competition following ace plots mounted by Mistress Isabelle Brooks, Jorgeous, and Lydia Butthole Kollins, queens Kerri Colby, Tina Burner, and Nicole were ousted at the end of the bracket’s run. But, they’re not going quietly, as the trio spice things up with several bombshells in their EW exit interview, including what really happened when Nicole saw the “Pink Pony Club” singer, how Tina grappled with Lydia’s approach to points delegation, and Kerri’s wild reveal of which iconic RuGirl has a current cast member blocked on social media.

RuPaul’s Drag Race All Stars 10 continues Fridays on Paramount+. Read on for EW’s full exit interview with Kerri, Tina, and Nicole.

ENTERTAINMENT WEEKLY: Nicole, fans speculated that you had no idea who Chappell Roan was on last week’s episode. Can you confirm?

NICOLE PAIGE BROOKS: I can confirm I’d heard of Chappell Roan. Could I have picked her out of a lineup? No.

KERRI COLBY: Don’t lie. Nicole, how dare you. Just tell him you had no idea who she was!

NICOLE: Okay, I didn’t really know who she was. I have a radio, so I’d heard the song, but I didn’t know who that was. I know who she is now. Now that she’s in the House of Colby, she’s on my radar.

Tina, you seemed upset by Lydia’s perceived betrayal, but she never explicitly said she’d team up with you. Did she, and it wasn’t shown? Why did you feel she’d have your back, despite entering the House of Brooks?

TINA BURNER: Once absorbed, all things were off. I didn’t see it coming.

NICOLE: Let’s call it the MIB household, not the Brooks household.

TINA: There were certain things that happened, Mistress trying to have me do what she and Jorgeous did. I didn’t want a part in it, Lydia entertained it. I have a letter written by Lydia, as we left, saying that Tina didn’t start the drama!

KERRI: Post the receipts!

TINA: There was an agreement that we were there to give the right person the point. She jumped in with Mistress and Jorgeous. I didn’t expect it or think that Lydia could be manipulated.

So, the flirtation didn’t go anywhere? Did you hear from Kori King at all?

TINA: I’m laughing uncomfortably because I’m doing a gig with Kori this Sunday, so I don’t know what’s going to go down.

KERRI: She’ll have a firm handshake for you, from one masculine gentleman to another!

I loved the AS10 rap roast. Megami said she wrote Jorgeous’ verse. Did others have help?

KERRI: People accused me of having others write mine, but I wrote all those mistakes on my own.

NICOLE: There’s a trans group called the Girls, that my baby girl Alyssa Brooks and Domino Presley are part of. They helped me and sang it to me because I needed the beats to practice.

TINA: I sat in a room with Chelsea Piers and Izzy Uncut and bounced some stuff. Most of it, I changed there.

Given Mistress and Jorgeous’ points plot, was there permanent damage done to friendships in this bracket? Has anyone blocked anyone?

KERRI: Well, Sasha Colby blocked Mistress, but that’s a whole other conversation.

Sasha blocked Mistress?

KERRI: At least she was. Let me check if it’s still active. [In a separate interview, Mistress tells EW:”If [Kerri] wants to put that out there, we can get into it. When this happened, Kerri went home and told Sasha a bunch of lies, and Sasha got upset with me. Apparently, Kerri felt like she was the most robbed queen in Drag Race history. Which, if that’s the case, how did you do three challenges and not win one? It’s a prime example of people taking things too seriously. What happened on TV, Kerri brought that drama into the real world, and that’s why I’ll never f— with her…. But, yeah, [Sasha and I] have each other blocked.”]

NICOLE: I didn’t know who Mistress was before meeting her, so there was no previous relationship to be damaged.

TINA: I don’t hold grudges. I realize who people are, after the fact.

NICOLE: I helped her make good television. I’m happy and proud of her. Even if it’s for TV, don’t trust people who do that just for TV.

Do you think it’s worth making good TV at the expense of real emotions?

KERRI: If the goal is to make good TV, you can always figure out a way to do that. To be messy and tilt the whole table with all the food on it and throw it to ruin everyone’s meal, it’ll be good TV, but you have to think about longevity. She’ll be a wonderful shoo-in for House of Villains one day. Maybe that’s her goal. I think she has life lessons to learn, and I’m hoping Drag Race becomes the school for Mistress and teaches her a lesson moving forward.

TINA: It’s one thing to make good TV. I’m all for that. But, when it starts getting personal and things affect people on a personal level, you have to ask, is it worth it? Who are you doing it for? Who hurt you, Mistress?

KERRI: Like sending someone to go comfort someone else because they’re crying, and using that as an opportunity to scheme about points and mess them up more so they don’t have a chance to recover. There are lines of villain-ry. You can pull a stunt and call someone ugly in a roast. You can be shady and dark-sided, but there’s a certain level that, when you start to get personal and use emotional moments to manipulate things, plant seeds, and start narratives, that’s when it starts giving Hannibal Lecter, Jeffrey Dahmer; it’s giving Alcatraz, honey.

NICOLE: What drew me to the show is that the Werk Room shows an accurate dressing room. There’s going to be a queen in there trying to get the show director job, who will lie and scheme. She’ll stab you in the back the second you turn around. On Drag Race, we have cameras everywhere, so we see it played back when we get home. It’s an accurate view of life. Your coworkers don’t have your best intentions at heart; they want to be in charge.

KERRI: Some of us were very broken; we got fully attacked. But, at the same time, instead of a pity party, we showed that you can call your motherf—ing power back to you, and you can handle some business.

Nicole and Tina, at the end, you represented that by immediately saying you wanted to give points to Kerri to block Mistress. Why was that the move, instead of going quietly?

NICOLE: I believe it was Tina who put that into my mind, like, we’ve got to get our girl up to the top because she was most likely to succeed out of our group. I was more concerned walking around there like, hey, my one point! Yes, it was to block Mistress, but it was more to support Kerri.

Kerri, Mistress called you a fake bitch when giving her final point to Lydia. We only saw you say that she wasn’t out of the running for a point. Did you ever explicitly promise you’d give her one?

KERRI: Absolutely not. I realized that bitch was going to play all the games with me. As soon as she turned her back on my alliance, I was like, I’m going to fake this one. I told her I’d potentially help her out if she threw me a bone because she had a debt to pay. I didn’t have a debt to pay for her to be crazy, shady, and wrong. She kept saying she’d get me back. From the first offense, it registered, this person isn’t trustworthy. There’s nothing they can do to redeem themselves, so I’ll pull a stunt back. People always ask why I didn’t push back on the first episode, but I had to process. There was trauma. I felt like I was back in middle school, getting bullied by friends that pulled stunts on me and humiliated me at prom just to be funny. I had to process that, and when I did, I was like, let’s see how everything shapes out. If I can be part of what makes or breaks you, consider me a motherf—ing hammer of truth and justice, honey.

This interview has been edited for length and clarity.

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RuPaul’s Drag Race All Stars 10 airs Fridays on Paramount+.

Sir Rod Stewart has canceled several upcoming concerts due to an unforeseen illness.

The “Do Ya Think I’m Sexy” singer announced that he is dropping four shows in Nevada from his tour and postponing two shows in California this month after being diagnosed with the flu.

“I have to cancel and reschedule my next six concerts in June as I continue to recover from the flu,” Stewart wrote on Instagram. “So sorry, my friends. I’m devastated and sincerely apologize for any inconvenience to my fans. I’ll be back on stage and will see you soon.”

Stewart canceled three shows at the Colosseum Theater at Caesars Palace in Las Vegas that were scheduled for June 7, June 8, and June 10, and also nixed a June 14 concert at the Lake Tahoe Amphitheatre at Caesars Republic in Stateline, Nev.

The musician also rescheduled his planned June 12 show at the Agua Caliente Casino in Rancho Mirage, Calif., for Sept. 20., and rescheduled his June 15 concert at the Vina Robles Amphitheatre in Paso Robles, Calif., for Sept. 21.

Stewart’s next scheduled tour stop is at the Glastonbury Festival in the United Kingdom on June 29. He has dozens of additional shows scheduled across North America, South America, and Europe over the next several months, including four additional shows at Caesars Palace in September and October.

After suggesting that he might leave “the rock & roll stuff behind for a while,” Stewart made a statement in 2023 clarifying that he has no intentions to quit performing live.

“I’d like to clear up any confusion that I may have caused with my dear fans and the media. I shall never retire!” Stewart wrote on Instagram. “I was put on this earth to be a singer and will keep doing so for as long as the good Lord lets me.”

Stewart continued, “I could never turn my back on the songs that I’ve written and sung over the last six decades. They are like my children. I created them and I love them.”

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Last month, Stewart received the Lifetime Achievement Award at the 2025 American Music Awards. The awards body has bestowed it on only one other artist: Diana Ross in 2017.

Billie Eilish and Nat Wolff are drumming up more rumors of a romance after they were recently spotted sharing an intimate moment in Italy.

In photos shared by Deuxmoi, Eilish, 23, and Wolff, 30, could be seen kissing and drinking from champagne flutes on a balcony in Venice.

Representatives for Eilish and Wolff did not immediately respond to PEOPLE’s request for comment on Sunday, June 8.

Romance rumors between Eilish and Wolff intensified in March when they were seen leaving the iHeart Music Video Awards together and later spending a night out in New York City together, according to PageSix.

Wolff, an actor and musician, starred in Eilish’s self-directed “Chihiro” music video, which came out in June 2024, and she described their dynamic in the video at the time as an “inescapable connection.”

The pair previously said they consider themselves just good friends.

Wolff and his brother Alex Wolff have shared in the past that they became close friends with the two-time Oscar winner when they opened for her Hit Me Hard and Soft: The Tour in 2024.

Speaking to Variety in October, Nat said that the trio bonded over what it’s like to have Tourette syndrome, a disorder that involves repetitive movements or unwanted sounds that can’t be easily controlled.

“Even when I saw Billie on interviews, I said, ‘Oh, she’s one of us,’ ” the Paper Towns actor said at the time.

“We know all the ways that we try to mute ourselves or try and chill ourselves out or soften ourselves for other people, and how nice it is to not have to do that for certain people,” Wolff said to the outlet about how they try to downplay their Tourette symptoms.

Eilish also joked about their bonding experience in another video for Vogue at the time, saying, “My first real impression of you, when I met you, was at the Oscars after party, and I was sitting on the couch outside, and you just appeared.”

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“It was just like an immediate — I don’t even know what we talked about, but it was an immediate — I was like, ‘Yo!’ “ Eilish recalled to the outlet.

Despite the rumors about her love life, Eilish also told Vogue last year that she has been wanting to keep her romantic life private after sharing what she considered to be too many intimate details over the years.

“I wish no one knew anything about my sexuality or anything about my dating life. Ever, ever, ever,” she said. “And I hope that they never will again. And I’m never talking about my sexuality ever again. And I’m never talking about who I’m dating ever again.”

One, two, three, and to the four, Snoop Doggy Dogg and Craig Brewer is at the door.

Universal Pictures has enlisted the Hustle & Flow filmmaker to direct a biopic about Snoop Dogg, the pioneering West Coast rapper, Entertainment Weekly has confirmed. Brewer will revise a screenplay penned by Joe Robert Cole, the writer known for his work on Black Panther and The People vs. O.J. Simpson: American Crime Story.

Snoop, who previously acted in a supporting role in Brewer’s Dolemite Is My Name, will produce the film alongside Brian Grazer and Sara Ramaker. Snoop was previously depicted in another Universal hip-hop biopic: the 2015 hit Straight Outta Compton, which followed the rise of N.W.A and featured LaKeith Stanfield as the “Drop It Like It’s Hot” musician.

Menace II Society co-director Allen Hughes was previously attached to direct the Snoop biopic.

After making his feature directorial debut with 2000’s The Poor & Hungry, Brewer rose to prominence with his sophomore feature, 2005’s Hustle & Flow. The film, which followed an aspiring rapper, won the Oscar for Best Original Song (for Frayser Boy, Juicy J, and DJ Paul’s track “It’s Hard out Here for a Pimp”), and also landed a Best Actor nomination for star Terrence Howard.

Brewer then helmed 2006’s Black Snake Moan, a black comedy starring Samuel L. Jackson, Christina Ricci, and Justin Timberlake. The film continued the director’s emphasis on music, as Jackson’s character in the film was a blues guitarist.

Brewer’s next feature was 2011’s Footloose, a remake of the 1984 classic about an outsider introducing dance to a conservative small town. 

The filmmaker spent much of the 2010s focusing on the small screen, most notably reuniting with Howard on the popular hip-hop Fox series Empire, on which he served as a director and producer on numerous episodes.

Brewer helmed his first biopic with 2019’s Dolemite Is My Name, which starred Eddie Murphy as blaxploitation legend Rudy Ray Moore. Brewer reteamed with Murphy on Coming 2 America, a long-in-the-works sequel to the classic 1988 comedy Coming to America.

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The filmmaker’s latest feature, Song Sung Blue, stars Hugh Jackman and Kate Hudson as musicians in a Neil Diamond tribute band. The film is scheduled to hit theaters on Christmas day.

A 16-time Grammy nominee, Snoop Dogg rose to fame upon collaborating with Dr. Dre on the producer’s 1992 solo album, The Chronic, and his own 1993 debut album, Doggystyle. He has released 21 studio albums to date, and has also acted in a number of movies, including Training Day and The Beach Bum.

Faith Hill is supporting her fellow country musicians.

The singer, who has not made any major public appearances in months, stepped out to CMA Fest 2025 in Nashville, Tennessee, on Friday, June 6. While she did not perform herself, she showed her support for other stars hitting the stage.

Hill, who wore a tan cowboy hat and black leather jacket for the occasion, was seen chatting and laughing with country singers Rita Wilson, Kelsea Ballerini, Shaboozey and Jelly Roll.

The “Breathe” singer, 57, attended the event with her 23-year-old daughter Audrey McGraw, who is also a singer. She shares Audrey, along with daughters Maggie, 26, and Gracie, 28, with husband Tim McGraw.

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Hill’s appearance at the festival drew the attention of fans online.

“She’s amazing and beautiful!” one commentator wrote.

Others noted Hill’s seemingly ageless look. “I can almost guarantee not a single one of you looked that good at 57 or will look that good at 57. She’s always been beautiful and exceptionally talented,” another fan said.

Hill’s appearance at CMA Fest comes as she has kept a low profile in recent years. Her last album, The Rest of Our Life — a collaborative effort with her husband — was released in 2017. She starred in the Yellowstone prequel 1883 alongside Tim, 58, in 2022.

The couple also has been busy supporting their daughters, who have careers in music and theater. In April, they attended Gracie’s first performance of The Great War & The Great Gatsby at Carnegie Hall in New York City.

Hill and Tim have been married since 1996, and the “Live Like You Were Dying” singer recently shared that his wife “saved” his life.

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“I’ve been lucky. I’ve been very fortunate. First off, meeting my wife saved my life. I was a wild man,” he said during an appearance on Tracy Lawrence’s TL’s Road House podcast in May. “I was having fun.”

“She turned my life around. I couldn’t have found a better woman. Not only beautiful and talented, but just a good, good person. And then having our daughters,” Tim continued. “It’s life-changing. They make you a better person, and they certainly calm the demons in you.”

You can’t steal rock and roll.

On Thursday, police in Atlantic City, N.J., arrested a man on suspicion of the theft of two priceless instruments used by the rock band Heart. The instruments were allegedly stolen from the Hard Rock Hotel and Casino prior to the band’s gig there on May 30.

Police said that they discovered surveillance video of a 57-year-old man from Pleasantville, N.J., attempting to sell the stolen guitar and mandolin in various parts of the city, according to a press release. Police took the suspect into custody and charged him with burglary and theft. The statement also said that the suspect allegedly successfully sold one of the instruments, while the location of the other instrument remains unknown.

The instruments were allegedly stolen from the band’s pre-show set-up for the An Evening with Heart concert. In a social media post offering a reward for the instruments’ return, Heart stated that the missing items include a “custom-built, one-of-a-kind purple sparkle baritone Telecaster with a hand-painted headstock” that was “crafted specifically” for guitarist Nancy Wilson, as well as a vintage 1966 Gibson EM-50 mandolin that multi-instrumentalist Paul Moak has played for more than 25 years.

“We are deeply grateful to the Atlantic City Police Department, the Hard Rock organization, and everyone who came together to support us in the search for our stolen instruments,” Heart said in a statement to Entertainment Weekly. “The outpouring of love and concern has been overwhelming, and we are truly touched by the strength and compassion of this community.”

The band members noted that they have heard from “fans, fellow musicians, media outlets, and kind-hearted people from around the world” in the days since they publicized the items’ disappearance. “It means the world to us,” the band wrote. “Your support has been amazing!”

However, the musicians reiterated that they have yet to be reunited with their instruments. “While we’re encouraged by the progress made and thankful that an arrest has been made, our instruments have not yet been recovered,” Heart said in the statement. “We remain hopeful that they will be returned to us soon.”

Wilson previously highlighted the value of the instruments in the reward statement. “These instruments are more than just tools of our trade — they’re extensions of our musical souls,” the rocker said. “We’re heartbroken, and we’re asking for their safe return — no questions asked. Their value to us is immeasurable.”

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Heart has dozens of shows scheduled throughout the United States this summer. The group previously postponed its North American leg of its Royal Flush Tour when singer Ann Wilson announced she was undergoing cancer treatments in 2024.